FICTION
A Taxonomy of Barnacles
By Galt Niederhoffer I AM THE ELDEST of six children, my wife the third of four, and we grew up in the 1960s when larger families did not seem so rare. We have a large family, too-five children, ages 16-23. When my kids were young and my wife took them to the park, she was asked more than once if she operated a day care. Our house can resemble the breakfast scene from Steve Martin's remake of "Cheaper by the Dozen." I have special appreciation for the idiosyncrasies of large families.
Our kids have emerged amazingly grounded and successful, such that outsiders must assume they are adopted. Not unlike the story of the Barnacles and their neighbors, the Finches (those charming names play on the fact that Charles Darwin studied both barnacles and finches). Barry and Bella Barnacle live in an enormous apartment in Manhattan, overlooking Central Park. There they have raised six daughters, Bell, Bridget, Beth, Belinda, Beryl and Benita. Barry has made his fortune as the "King of Pantyhose" and has raised his family in an ongoing examination of nature versus nurture. Think Woody Allen does Jane Austen during the first third of the novel as we meet this eccentric couple and their relatively engaging offspring.
Then, having no male heirs, Barry proposes a contest to his daughters to see who will inherit his fortune. The remainder of the book follows the various attempts of these six talented young women to distinguish themselves in this challenge. Most of the action deals with Bell and Bridget, the oldest two daughters, and their struggles to adjust to their imperfect parents as they pursue the Finch boys, twin young men who live in their building, with whom they have had on and off romances for years. Each of these relationships will ultimately face a final test. The two daughters will resolve some of their issues, but the contest-a variant on survival of the fittest-does not otherwise turn out well.
This is another first novel presented by the Maiden Voyage Club from the Elliott Bay Book Company. Alternately hilariously, poignant and serious, it examines the innate and acquired qualities that people bring to relationships and to their families. The author, who is an independent film producer, writes precisely and crisply. If there's a flaw, at times there are too many sisters and a set of identical twins to keep track of. Ultimately this is an engaging read, full of flawed but likeable characters, eccentric and hip, realistic and funny, inventive and fresh.
The Good Priest's Son: A Novel
By Reynolds Price Mabry Kincaid, a 50-something art conservator, is returning to New
York on September 11, 2001. Midway across the Atlantic, his flight
is diverted to Nova Scotia. Two days later when he is able to return
to United States, he finds his lower Manhattan loft in ruins. He
travels to his small hometown in North Carolina to visit his aged
father, Tasker Kincaid, a widower and Episcopalian priest. During
what becomes an extended stay, Mabry re-examines his relationship
with his father, an old flame, his recently deceased wife, and his
daughter in a world forever changed.
With the death of his wife fresh in his mind, Mabry's visit with
his father begins on a strained but respectful note. As the sojourn
lengthens, we learn that the good priest was himself not always so
good, and though ever witty and wise, was not a father in the tradition
of Ward Cleaver either.
The son struggles with a more nuanced perception of his father's
complexity, and he works to rebuild a relationship with his daughter,
from whom he is estranged principally because of his own prolonged
disrespectful and boorish behavior toward his wife, her mother. We
expect the daughter to remain appropriately angry, but she is funny
and kind and never mentions forgiving his regrettable behavior.
During his visit Mabry also takes up with an old flame as though
the intervening years had not taken place. In the safety of this
gracious and comfortable relationship, he works to come to terms
with his philandering past.
We have been inundated over the last few years by stories of aging
boomers losing their way in midlife. (Think the movies Lost in Translation,
Sideways.) At this point, these stories seem pretty tedious, and
I find it difficult to have much sympathy for them. Nevertheless,
I have always enjoyed Price's writing, as he celebrates our humanity
in our search for direction and connectedness.
Ultimately, this is the story of one man's search for salvage as
everything in his life-his family, his home, his career, and his
health-are in ruins. Price does not resolve all these story lines
by the end of the novel, and so much the better, He addresses questions
through characters much like ourselves-fallible, funny, sometimes
frightened and lonely.
Many of us are now at that age where our careers are challenging
in ways we never expected, our families are evolving in directions
we have not anticipated, and our friends are having their divorces
and their MIs. Because Price's characters are so finely drawn and
so sympathetic, there is a pervasive sense of "there but for
the grace of god..."
Claire Messud in the New York Times wrote, "The events of September
11, 2001 create a background thunder perhaps too loud for the distresses
of Mabry Kincaid's one insignificant life, but that may be Price's
point: even in the face of immense tragedy, each of us must still
confront our own small struggle and must try as Tasker Kincaid put
it, 'to find a soul.'"
Not Me
By Michael Lavigne Imagine that Jerry Seinfeld wrote a novel about his relationship
with his father. In the book, however, Morty Seinfeld is not a cranky
eccentric raincoat salesman but a celebrated hero of the New York
Jewish community. Or is he?
In this novel, Michael Rosenheim is a stand-up comic, visiting his
father, in the steep decline of advanced Alzheimer's disease, in
a nursing home in Florida. Heschel Rosenheim, a concentration camp
survivor, has lived an exemplary life, contributing time and money
to Jewish charities and causes throughout the country and the world.
Herschel presents Michael with a set of 24 journals, which reveal
that Heschel was not always Heschel. He was in fact Heinrich Mueller,
a Nazi lieutenant in a concentration camp. He escapes by assuming
the identity of a dead Jew, eventually traveling to Palestine where
he becomes a hero working on behalf of the emerging Israeli state.
He ultimately emigrates to New Jersey. As his father switches from
obscure to lucid moments and back, Michael trudges reluctantly through
sixty years of uncertain memory, distorted memory and assumed identity.
Mixed in with this telling are subplots about Michael's relationship
with his own son, his pathetic relationship with his ex-wife and
his sister who died a painful death from cancer. Unfortunately, the
subplots are mostly poorly executed. If Lavigne had developed Michael's
relationship with his son more deeply, it would have added greatly
to the impact of the book.
As Michael finishes reading the journals, his father has died. He
discovers a particularly poignant letter his father wrote that he
intended to be discovered after the journals were read. As improbable
as it sounds, we come to understand the horror of Heschel's life.
Ultimately, we must consider the fact that all we do in life involves
trade-offs and some of us face much more difficult choices than others.
In the face of unspeakable horror, there can be transgression, but
there can also be repentance and atonement. To the son he loved more
than he could say, Heschel wrote, "I pray that when it is time
for you to make your choice, you too can recall the past and embrace
the future."
This is a dark but compelling story. It will stay with you long
after you have finished because of its intense examination of faith,
family, love and redemption.
The Suitors By Ben Ehrenreich You may not remember, but the Odyssey by Homer, commonly dated circa 800 to 600 BC, concerns what happens to Odysseus after the fall of Troy as he make his way home to Ithaca. Penelope, his wife has to deal with a group of unruly suitors who have taken up residence in Odysseus's home during his almost 20-year absence. (Thank you, Wikipedia.) Ben Ehrenreich's version is the latest of many plays, novels, poems and movies based more or less on the Odyssey. In Ehrenreich's telling, Payne (Odysseus) is largely absent and the story focuses on Penny (Penelope) and the suitors.
Erhenrich's book came to me from the Elliott Bay Book Club's series of first books by new authors.
Just as the Odyssey is not straightforward reading, the Suitors is a moderately difficult but interesting novel.
Penny—left behind as Payne travels the world, waging war and taking his time returning—chain smokes and raises their son in a nameless, faceless, somewhat grotesque setting. She's surrounded by an unlikely group of what seem to be losers who are devoted to her and crave her attention.
She will have nothing to do with them, and remains focused on her Payne, writing letters to him daily until a mysterious man literally washes ashore. She nurses him back to health and eventually develops a relationship with him that disrupts the tenuous balance in the ramshackle group.
The novel is full of metaphor, as Ehrenreich spins out a theme of individual passion losing out to relationships that matter. His writing is often witty and playful, albeit perhaps too sexually preoccupied. The humor is frequently on target, with barbs at nationalism, war and the human condition. Never a dull moment.
Saturday
By Ian McEwan This post-9/11 novel from the author of Amsterdam and Atonement examines one day in the life of Henry Perowne, a successful neurosurgeon with a successful wife, two successful children and a very comfortable life in London.
It is a Saturday in February 2003, and the world outside Dr. Perowne's operating room and home is not so comfortable. There is an impending war in Iraq and a growing pessimism since the attacks in Washington and New York in 2001.
Dr. Perowne awakens on this Saturday morning and sees from his bedroom window what appears to be an airliner on fire as it approaches Heathrow. Later in the day, as he works his way to the hospital and back, he encounters a demonstration against the war in Iraq and the unfolding of the airplane drama.
He is involved in a minor car accident—a chance encounter that resembles road rage—and that sets up the conflict that ultimately intrudes on him very directly and personally, unraveling his perfect, seemingly controlled existence. With great irony, he must later operate to save the life of the young man who has terrorized his family.
As the day moves from the mundane to the marvelous to the horrific and back, one can't help but reflect on the struggles of the haves versus the have nots, privilege versus responsibility, fear versus tolerance, and ultimately the gratitude, forgiveness and generosity that are a part of our profession.
Those who have read other works by Ian McEwan will appreciate the beauty, pace and tension he manages to sustain. Though it is a bit drawn out, it's still a good read. |